As photographers, filmmakers and writers we have to go where the work is, where the story is, where our subject is. Sometimes that’s a dangerous place. But there are ways of reducing physical and financial risk. And many of the practices throughout this article are recommended for an everyday workflow, as a safeguard against a worst-case-scenario.

The aim is to make work that no one else is capable of making, either because they lack access, time, effort, or vision. A first project is an investment in time and energy, but it will pay off. It'll inform your future style and pave the way for introductions to clients.